The Birth Mark Is Considered By The Best Stories Of...

Nathaniel Hawthorne’s The Birth-Mark is considered to be one of the best stories of American history, which shows the gender roles in the society and the inequality that women have to deal with on a day-to-day basis because of the limitations set on them by the society. The main focus of the story is the relationship between Aylmer, a scientist who is well known across Europe for his achievements in the field, and his wife Georgina. Aylmer considered Georgina to be perfect in every single perspective when they met. He thought he was so lucky to have her as wife. It shows how little important people placed the behavior of an individual and shows the high level of importance that placed women in the society at the time (Lupri, 47). Unfortunately, this is a trend that has continued even today where there is such a high value placed on the need for physical perfection among women leading women to go to such extreme measures to achieve this perfection. The book was written at the time when women were viewed to be lower than men. The main role of a woman in the society at that time was to cater to the needs of her husband, take care of their home and children. The man was considered as the head of the household, and he made all the decisions concerning what he expected to do at home and how he expected his wife to conduct herself, look, and behave. Through her life, Georgina had always felt pretty special because of the birthmark that she had. Even when her husband mentionsShow MoreRelatedThe Puritan Effect1703 Words   |  7 PagesNathaniel Hawthorne is respected as â€Å"one of the great masters of American Fiction† (â€Å"Hawthorne, Nathaniel† 363). He is an accomplished author who wrote novels as well as children’s literature. However, Hawthorne’s strength is American short story; his â€Å"haunting† tales are undeniably responsible for establishing this genre as a â€Å"significant art formà ¢â‚¬  (â€Å"Nathaniel Hawthorne† Columbia 1). He is known for his â€Å"penetrating explorations† of the conflicts within one’s conscience and the consequences thatRead MoreAndrew Jackson : Conqueror Of Florida1489 Words   |  6 Pagesnineteenth century where an American general took siege of Florida, a Spanish territory by then. Andrew Jackson was the man whose mission was to seize Florida in the year 1818 after agitations from the various attacks that were carried out by the Seminoles to the American people, the latest being the Fort Scott attack on November 21, 1817. These events and the siege is tackled in the film documentary â€Å"Andrew Jackson: Conqueror of Florida† produced by Margaret Haddad in 2003. The story in this film beginsRead MoreThe Adventures Of Huckleberry Finn By Mark Twain1058 Words   |  5 PagesHuckleberry Finn is an american literature written by Mark Twain which has been debated on whether or not it should be banned. Huck Finn displays multiple displays of racism, slavery, and graphic situation which cause friction among critics. Which bring us to many situations of critics to come to our conclusion. For instance one critic wrote,  ¨Jim is at the mercy of white characters in the novel, most of which are morally inferior to him. Jim must follow Huck s schemes and adventures, such asRead MoreEssay about The Works of E. B. White1540 Words   |  7 Pagesranged from children books all the way to humor and knowledge about the styles of writing for adults. His ability to open up readers’ imaginations draws them in and makes them wanting more. With that, E. B. White is still considered one of the most-loved and best selling authors in history today. Elwyn Brooks White was born on July 11, 1899. As a child, White did not enjoy school much. He preferred to be outside like any other young boy (Meet E. B. White, 6). When he grew older, he attended CornellRead MoreThe Rise and Fall of the American Teenager Essay1442 Words   |  6 PagesProfessor Tracy Davis History 118 2 November 2012 Book Review # 2 The Rise and Fall of the American Teenager Teenagers are more than capable of achieving great tasks in the future as well as causing great destruction with every skill stapled in their mind as they grow. Good and evil will determine the effects of which path a young mind its taught so that’s why parents must educated well with good intensions for a better future. The age of a teenager shows history how it transformed theRead MoreJohn C. Scott s Comparative Politics Essay1827 Words   |  8 Pagespolitics which Robert Marks attempts to contest in his book The Origins of the Modern World is one that favors European nations as the central powers in the formation of modern world as we know it today. On the other hand, James C. Scott’s approach to the study of comparative politics is state centric and it focuses more on the development of the state as the central and dominant aspect of society today. Eurocentric views see Europe as being the only active shaper of world history, its â€Å"fountainhead†Read MoreShould Abortion Be Legal?1623 Words   |  7 Pages The decision to end the life of someone without their own consent has caused great disruption among Americans. Before the civil rights movement, Americans idealized the idea that abortion was ultimately prohibited due to the fact that religion predominated the beliefs of the people. Now in a rapid changing-liberal society, people are questioning if prohibiting a woman from aborting is denying her inalienable right of freedom as listed under the First Amendment. The right to abortion should be leftRead MoreThe Right And Choice Of Abortion1640 Words   |  7 PagesYonathan D Nieto Villegas Mr. Fons English 2B May 19, 2017 The Right to Life or Choice The decision to end the life of someone without their own consent has caused great disruption among Americans. Before the civil rights movement, Americans idealized the idea that abortion was ultimately prohibited due to the fact that religion predominated the beliefs of the people. Now in a rapid changing-liberal society, people are questioning if prohibiting a woman from aborting is denying her inalienable rightRead MoreSilent Spring, By Rachel Carson1711 Words   |  7 Pagessomeone who crusades for some kind of societal change. To be considered an effective activist, the individual would need to influence a transformation in the world, causing a change and reshaping a perception. Rachel Carson, best known as the author of Silent Spring, is said to be one of the most influential women in environmental history, according to her fellow authors and conservationists. Carson has been recognized worldwide in history and science books for her campaign against DDT, her work asRead MoreE ssay about Sports Born in the Victorian Era1460 Words   |  6 Pagesand the Celtic Tailteann Games date back to around the ninth century BCE. These games played host to the best athletes throughout the world, who competed in running, jumping, and throwing events in addition to wrestling, archery, and the greeks had swimming.. Professional track and field had no regulation, with many athletes making a living by their skill and talent. There are multiple stories of sprinters who would travel from town to town in disguise, pretending that they had no talent in racing

Analysis Of The Epic Of Gilgamesh Essay - 1361 Words

INSERT TITLE HERE As readers delve into the depths of The Epic of Gilgamesh, they perceive the allure to dreams which has captivated humanity for centuries. The epic poem uses dreams as a symbolic representation of the human mind and its ceaseless bounds. Given the Mesopotamian culture’s importance in regards to their religion, dreams provide the only means of one connecting with their future and deities. Furthermore, each mental fantasy referenced within the epic delineates the rationale of all beings to act within their self-interest, a means of thinking that serves as the basis for all thoughts and feelings. All in all, The Epic of Gilgamesh portrays how the added dimension of dreams provides insight not only into ancient culture but into the nature of mankind as well. Through the course of the aforementioned poem, characters use said visions to foretell their future and gain a deeper insight into the state of their gods. For instance amidst his journey to battle Humbaba, G ilgamesh experience five dreams which provide him a potential glimpse into the future. This can be seen as Gilgamesh claims â€Å"â€Å"My friend, I had a dream: how ominous it was, how desolate, how unclear! I had taken me hold of a bull from the wild: as it clove the ground with its bellows, the clouds of dust it raised thrust deep in the sky and I, in front of it, leaned myself forward[...]†Ã¢â‚¬ (Tablet IV) The beginning of the quote depicts the fascination that Gilgamesh has with this vision as he is trying toShow MoreRelatedThe Epic Of Gilgamesh And Analysis1436 Words   |  6 Pages The Epic of Gilgamesh –Summary and analysis Introduction The Epic of Gilgamesh is an excerpt of the original text of the Epic listed in the Sources of the Western Tradition, 5th edition, by Perry, Peden and Von Laue (2003). The Epic of Gilgamesh is the story of King Gilgamesh who is the powerful king of Uruk, the incidents in his life, the associations he makes, the encounters he has, and the transition that occurs in his life in relation to his gainingRead MoreAnalysis Of The Epic Of Gilgamesh 1647 Words   |  7 PagesThe Epic of Gilgamesh is a story of heroes fighting a war not in a battlefield but within their own selves and amongst each other, struggling with their own emotions and attributions to attain the best version of themselves and to fulfill the utmost quest of life. With the use of two very different yet so similar characters: Enkidu and Gilgamesh, the epic explains two aspects of same psyche, and different imageries, one of which is door, have been used in the text to explain interactions betweenRead MoreAnalysis of the Ep ic of Gilgamesh Essay1122 Words   |  5 PagesAnalysis of the Epic of Gilgamesh The epic of Gilgamesh is the earliest primary document discovered in human history dating back to approximately 2,000 B.C.E. This document tells a story of an ancient King Gilgamesh, ruler of Sumer in 2,700 B.C.E. who is created gloriously by gods as one third man and two third god. In this epic, Gilgamesh begins his kingship as an audacious and immature ruler. Exhausted from complaints, the gods send a wild man named Enkidu to become civilized and assist GilgameshRead MoreEpic Of Gilgamesh Literary Analysis1837 Words   |  8 Pagesmortality, divinity, punishments are told through stories of individuals and societies. The Epic of Gilgamesh is a Mesopotamian book that was written long before the Bible. A comparison of the literary elements show several similarities that lead many religious and cultural scholars, as well as historians to contend that the accounts in the Old Testaments were derived from the Gilgamesh. The Epic of Gilgamesh and Bible were both written as sources o f moral messages for religious practices and guidesRead MoreAnalysis Of The Epic Of Gilgamesh 1311 Words   |  6 PagesThe Epic of Gilgamesh is a very popular epic that is difficult to understand at first, which is why there is different translations of the same book. Although Foster and Sander’s translations have a lot of similar words and the stories are basically the same, there are also a lot of differences between the two. One of which is more straightforward and easier to understand, whereas the other is more of an in depth thoughtful read for the reader. Both translations differences have their own particularRead MoreAnalysis Of The Epic Of Gilgamesh 1449 Words   |  6 Pagesbeginning in The Epic of Gilgamesh, Gilgamesh is a bully king who frightens and annoys the people of Uruk. After the gathering with Enkidu and becoming his friend does Gilgamesh transform, into a hero worthy of history. The brotherly or â€Å"bromantic† ( considering the questionable r elationship they have) love the two have for each other helps Gilgamesh become an better leader to his people by permitting him to better understand and identify with them. Even though the myth of Gilgamesh is very ancientRead MoreAnalysis Of The Epic Of Gilgamesh 979 Words   |  4 PagesThe Epic of Gilgamesh tells the legend of King Gilgamesh of Uruk and his adventures with the feral human Enkidu. At the beginning Gilgamesh shares a lot of similarities to Egyptian Pharaohs. He’s worshiped by his people in a way that’s almost pious and holds himself up with a certain arrogance. The only difference with Gilgamesh is he is one part deity and two parts human. Over the coarse of the Epic we see Gilgamesh’s demeanor change to a more humble one. This change can be attributed to the trialsRead MoreAnalysis Of The Epic Of Gilgamesh 738 Words   |  3 PagesBaily Broussard Mr. Guidry World History 4 December 2015 The Epic of Gilgamesh In The Epic of Gilgamesh, Gilgamesh terrorizes the people or Uruk. Because of this, they call out to the sky god Anu for help. Anu decides to turn to the goddess of creation, Aruru whom makes an equal for Gilgamesh. Aruru created Enkidu to be just like Gilgamesh and for them to contend together and leave Uruk in quiet. When Gilgamesh got up and went to the house of a bride waiting for the bridegroom, Enkidu stepped outRead MoreAnalysis Of The Epic Of Gilgamesh 1284 Words   |  6 PagesPerhaps one of the earliest pieces of literature, The Epic of Gilgamesh is a tale about a Mesopotamian king named Gilgamesh who crudely dominates the natural world surrounding his gleaming society. Juxtaposing Gilgamesh’s godlike stature, Enkidu is a wild beast used to counterbalance the king in a literary sense. The hierarchical dichotomy expressed in the epic has appeared thematically within numerous mediums, including the revered artwork of Jean-Michel Basquiat. Raised in the Lower East Sid e (LES)Read MoreAnalysis Of The Epic Of Gilgamesh 1119 Words   |  5 PagesTranslation Comparison Gilgamesh The Epic of Gilgamesh has been read and reviewed/ critiqued by numerous authors. I took the articles’ ‘Angiology in the Epic of Gilgamesh’ by Th. Jacobson, and compared it to Benjamin Fosters ‘A New edition of the Epic of Gilgamesh’ These two articles both critique the writings of The Epic of Gilgamesh but in different ways. Foster’s article is a critique on a critique that has been written about The Epic of Gilgamesh, where as Jacobson critiques the epic itself, so we are

Decorative Hierarchies Waei. Painting Essay Example For Students

Decorative Hierarchies: Waei. Painting Essay The identification of possible hierarchies in wall painting is rather more speculative, as wall plaster tends to survive in poor condition, if at all. The houses on Delos were built in stone, and the walls are often preserved to a considerable height with the plaster still attached. However, the excavators’ reconstructions above frieze level usually rely to an unknown extent on comparisons with Campanian First Style paintings; but as there are significant differences between the Masonry Style and the First Style in the treatment of the lower part of the wall, it is by no means certain that the upper zones were similar. The picture is further complicated by fallen fragments of paintings from upstairs rooms. Regional differences even within the Masonry Style mean that conclusions based on the Delian materia) may not be directly applicable to other sites. With these provisos in mind. 1 would suggest the follow ing broad framework for reading the wall decoration of the Delian hous es.K In the Masonry Style the wall is divided into rectangular panels, imitating either monumental ashlar masonry, or luxurious panelling in coloured stone veneers; in either case, the intention is presumably to allude to the prestigious interiors of public buildings.9 The standard scheme on Delos (FIG. 5) consists of a low continuous plinth, 20-40 cm high, above which is a row of tall orthostats, 80 120 cm high, surmounted by a frieze; above the frieze are several courses of blocks, each prrhaps 40-50 cm high, and crowning the whole is a cornice, with a fiat zone above. In its most basic form, this scheme is marked out 011 a flat, while plaster surface by incised or painted lines, occasionally with the frieze picked out in red paint. However, it could be elaborated in several ways to express distinctions between rooms and areas of the house. These distinctions seem to depend on a combination of four factors: the extent of relief moulding; the number of frieze bands; the colours and motifs used; and the addition of monumental architectural forms in stucco relief. No doubt, as in the case of mosaics, the distinction was ultimately one of cost. Firstly, relief decoration might   applied to the whole wall, or only part of it. If only one zone was moulded in relief, it was usually the frieze; if two, the frieze and the orthostats, which acquired bevelled edges round the blocks; in more elaborate examples the isodomic courses above the frieze might receive the same treatment. The cornice also usually projects beyond the rest of the wall, but the zone ab ove is always left flat, as is the plinth. Secondly, extra bands could be added to the frieze, up to a maximum of four (FIG. 6). In its simplest and commonest form, the frieze consists of a single continuous band. 15 30 cm high; in relief schemes it projects from the wall, with a moulding at top and bottom (A); the upper moulding is usually a quarter-round, and the lower an ovolo or sloping fillet. Sometimes the main band is a string-course of bevelied-edge blocks (C) instead of a continuous strip. I. p to three further bands may be added: the second is most frequently a narrower continuous band below the main band and about half its width (B), or sometimes a string-course of narrow bcvclled-edge blocks (C), perhaps with a kymation moulding at top and bottom; some schemes have both of these (as in FIG. 6), and very occasionally a fourth band is added at top or bottom, usually another continuous strip. The mouldings at the transitions between the bands are painted with standard motifs derived from stone architecture: the quarter-round at the top is usually decorated with a three-strand or double guilloche, or o ccasionally interlocking scales, the lower moulding with an egg and dart, and the kymatia framing a string-course with a leaf and dart motif; a row of dentils may mark the transition from frieze to orthostats. .u3c33b58211adf617053cf4ed8c008451 , .u3c33b58211adf617053cf4ed8c008451 .postImageUrl , .u3c33b58211adf617053cf4ed8c008451 .centered-text-area { min-height: 80px; position: relative; } .u3c33b58211adf617053cf4ed8c008451 , .u3c33b58211adf617053cf4ed8c008451:hover , .u3c33b58211adf617053cf4ed8c008451:visited , .u3c33b58211adf617053cf4ed8c008451:active { border:0!important; } .u3c33b58211adf617053cf4ed8c008451 .clearfix:after { content: ""; display: table; clear: both; } .u3c33b58211adf617053cf4ed8c008451 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3c33b58211adf617053cf4ed8c008451:active , .u3c33b58211adf617053cf4ed8c008451:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3c33b58211adf617053cf4ed8c008451 .centered-text-area { width: 100%; position: relative ; } .u3c33b58211adf617053cf4ed8c008451 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3c33b58211adf617053cf4ed8c008451 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3c33b58211adf617053cf4ed8c008451 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3c33b58211adf617053cf4ed8c008451:hover .ctaButton { background-color: #34495E!important; } .u3c33b58211adf617053cf4ed8c008451 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3c33b58211adf617053cf4ed8c008451 .u3c33b58211adf617053cf4ed8c008451-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3c33b58211adf617053cf4ed8c008451:after { content: ""; display: block; clear: both; } READ: Bamboo Crafts of North-east India EssayThirdly, extra colours and decorative motifs could be introduced in addition to the basic white. The range of colours in the Delian paintings is limited: white is by far the commonest, followed by red, black, yellow, and, in much smaller quantities, green and blue. It is probably reasonable to assume that this reflects the relative c ost of the pigments, especially as the rarer   colours tend to occur most often in the prestigious (and relatively narrow frieze zone.10 Certain colours seem to have been considered especially suitable for particular zones of the wall. The plinth is most frequently red. The orthostats arc often black, s ometimes with coloured edges, but it is unusual to find large expanses of black above this zone. The continuous frieze or the blocks, of a string-course arc often red, sometimes yellow, and occasionally green or alternately green and yellow; green is very rarely found in any other zone. The courses of blocks above the frieze are usually white or red, occasionally yellow, and sometimes have contrasting coloured edges. The cornice is white, and the zone above light blue; blue is otherwise found only in niches and for the background in decorated friezes. As a more elaborate alternative to solid blocks of colour, some parts of the w-all may be painted in imitation of veined or flecked marble, which must have added an exotic and luxurious air. It was no doubt more labour-intensive and thus more expensive, and accordingly it tends to appear most often in the frieze zone, where only a relatively small area needed to be covered; it is unusual, and presumably particularly luxurious, for the large expanse of the orthostats to k marbled, and only a very few decorations have more than one zone of marbling; it rarely appears higher than the frieze. The frieze, being roughly at eye level, is the focus of the decoration, and is the only zone whic h offers scope for any kind of decoration beyond the imitation of stonework. It is therefore the most significant area in which distinctions of status could he expressed. Simple monochrome hands and alternating coloured panels are the most common frieze decorations, followed by imitation marbling. Where there is a narrow secondary hand (B), it is almost invariably decorated with a painted swastika meander and boxes, often shown in perspective. Vegetal and figured decoration is much more unusual: the most common type is a garland of leaves and fruit entwined with coloured ribbons: less common are imaginary plant scrolls, which may he peopled with tiny Erotcs. Friezes of figures are rare, and most consist of repetitive motifs, such as Nikai driving chariots: a very- few examples depict battles or a series of scenes from mythology or drama. I would suggest that this order reflects the relat ive prestige of the motifs. Their rarity seems to coincide with their complexity and degree of indiv idualization: the more stereotyped friezes, of garlands, plants or repeated figures, are commoner than those consisting of individual scenes, which must have required more planning and skill, and were presumably more expensive. A few exceptionally lavish decorations had both a figured and a floral band. Finally, the prestige of a room could lie enhanced by the addition of architectural details in stucco relief. These are rare, and are usually confined to the upper part of the walls, probably for practical reasons, as they must have been rather fragile. The most common elaboration was to replace the cornice moulding with a full entablature, usually Doric; the metopes might be decorated with rosettes or heads in relief, or occasionally painted with figures. In a few cases, the entablature was supported hv stucco pilasters resting on a small cornice about two- thirds of the way up the wall (FIG. 15). There might also be niches in the walls, framed by small stucco columns and topped by an entablature or pediment. Such decoration must have been prized not only because of the obvious expense of creating it, hut also because it evoked prestigious associations with monumental public architecture. These four elements could be varied in an infinite numlier of combinations, allowing the decoration of each room to be precisely adapted to its function or relative importance. Wall painting had become much more elaborate since the Classical period: at Olynthos, for example, most of the wall plaster is flat and monochrome, with divisions indicated in paint or incision: relief decoration is very unusual, and only one house yielded a decorated frieze. By the second century, the flat decoration which was usual at Olynthos was found only in rooms of secondary importance; there had clearly been a process of inflation at work, which had the effect of widening the range of available possibilities, and hence the range of distinctions that could Ik expressed in the decoration.

Power And Glory Essays - The Power And The Glory, Whisky Priest

Power and Glory I- introduction II- Setting A. How setting shows the main theme 1. the jail scene 2. the traveling scenes III- Symbolism A. How symbolism shows the main theme 1. liquor B. How characters show symbolism 1. a quote IV - Characters A. How characters show the main theme 1. The lieutenant 2. Brigitta 3. The mestizo B. Minor characters 1. Mr. and Mrs. Fellow, Mr. Tench 2. Towns people V - Theme A. What makes up the main theme 1. Setting 2. Characters 3. Symbolism B. A quote from a book VI - Conclusion In the novel "The Power and the Glory", Graham Greene uses the elements of fiction to show a main theme. Some of the elements he uses are them, characters, symbolism, and setting. The way Greene uses these elements to show a main theme for his novel, is very good. The elements come together to show the theme, which is pity. Pity for a fellow human being. Setting is a major element of fiction. The setting of a piece of literature can set the mood of the scene. Setting, can also make the reader feel a certain way. Some of the scenes in "The Power and the Glory" evoke certain feelings in the reader. In the scene when the whiskey priest was put the crowded jail, for having liquor on him, Greene makes the scene so horrible that you can't help but feel sorry for the priest. As Kenneth Allott said, "The crowded unseen figures in the dark seem like shapes from a Dore hell."(182). In the scenes when the priest is traveling from town to town, the setting is very rough. Through dense forests and complete darkness, he travels and again, the reader feels pity for someone he doesn't know but feels connected to because of being human. As Kenneth Allott said, "There is a blanketing sense of cruelty's omnipresence ... and very frequently this mood is symbolized by a peculiar background of squalor ..."(15). Some critics think that the novel is "a melodramatic thriller about a policeman chasing a priest, romanticized by its religious significance and its exotic Mexican setting."(Pryce-Jones, 58). Another important element of fiction is symbolism. Symbolism in a novel can bring some insight to what its theme might be. A lot of the characters, atmospheres, and objects contain symbolism in the novel. The liquor that the priest is drinking is highly symbolic. It is a symbol of how the priest pities himself. He feels his life is not worth much, so he drinks. He makes himself feel worthless. Neil McEwan said, " The novel firmly connects the consolations of alcohol and religion... those who need to suppress both have cut themselves off from suffering."(59). That statement shows the priests pity on himself. Another symbol in the novel is the scene in the jail. This is a symbol of the priests lose of faith. He feels as if his life has no more meaning and he might as well give up. Characters are also symbolic in the book. As Allott said, "There is a sense in which other characters in the book can be regarded as symbols..."(174). A novel wouldn't be complete without characters. And, characters in "The Power and the Glory" play an important role to evoke pity for the priest. First is the Lieutenant, whose relentless pursuit of the priest makes you pity him. The lieutenant even starts to kill innocent people in hopes to find the priest. You can not help but feel sorry for the priest because of the lieutenant. Another character in the novel is Brigitta. Brigitta is the child of the priest, who obviously is illegitimate. The priest wants badly to love the child, but he can't. He is caught between his child and the sin he has committed. She also,... "Stands for the early corruption of innocence."(Alott, 174). This alone makes us pity the poor whiskey priest. Another character in the novel is the mestizo. The mestizo, who follows the priest to turn him in for a reward and then to get him to bless a dying criminal, represents a ... "Judas figure..."(McEwan, 92). We pity the priest even more because the mestizo is after him just like the lieutenant does. He represents "...evil and treachery..."(Alott,174). Some small characters play an important role in the novel. The people in the towns, who have rejected the priest in fear of being killed, makes us pity the priest because of their acts of rejection. Mr. Fench, Mr. Fellows, and Mrs.Fellows, all show