Monday, January 27, 2020
Fungal And Bacterial Amylase During Starch Breakdown Biology Essay
Fungal And Bacterial Amylase During Starch Breakdown Biology Essay The lab conducted focused on examining the effects of temperature on the ability of fungal and bacterial amylase to breakdown starch to maltose, and determine the temperature at which these two amylases work best, which is known as optimal temperature. The experimental part of the lab consisted in setting up the utensils that were going to be used during the actual experiment. During this section test tubes were labeled, and spot plates were placed in temperature/ time table created. For the second section of the experiment, iodine was placed in each row of the spot plates for each temperatures, and the solutions in the test tubes( bacterial , fungal amylase and starch mixture) were added to those same spots were iodine was added, depending on the time and the temperature corresponding to each amylase. The optimal temperature was deducted by observing the color change in the spot plates and comparing them with a color-coding scheme for starch hydrolysis. Conclusions for this task were reached by analyzing the data collected by each group, which suggests that a change in temperature disturbs the activity of enzyme amylase. When exposed to low and high temperatures, these enzymes were not able to function properly, therefore, reducing or eliminating their ability to breakdown certain compounds, especially starch. Enzymes need maintain at a certain temperature to be able to function at its optimal. Introduction: Enzymes are complex proteins produced by all living organisms with the function of enhancing chemical reactions through a process known as catalysis. During this process, the substrates, which are the molecules that will undergo the reaction, binds to the active site of the enzyme to form different molecules called products. Each active site on the enzyme is unique, permitting only substrates that match the shape of the active site to bind to the enzyme in a process known as lock and key model, however, active sites are able to adjust their shape to permit the binding with a substrate through the induced fit model, which moves entire protein domains (Raven et al., 2008; Ringe Petsko, 2008; Whitehurst Van Oort, 2009). Catalysts, like enzymes, work by reducing the amount of energy required for a chemical reaction to take place by linking two substrates in the correct orientation or by accentuating chemical bonds of a substrate, which reduces the energy difference between reactants and transition state. Enzymes are not consumed or changed during the reaction and they do not alter the equilibrium of the reactions they catalyze (Garcia et al, 2004; Raven et al., 2008; Whitehurst Van Oort, 2009; Alberte et al., 2012). The activity of enzymes is affected by multiple factors, including 1) pH (ranges from pH 6 to 8), 2) temperature (Rate of reaction increases with temperature, but only up to a point called optimum temperature. A change in temperature, either below or above the optimum, causes the active site to denature, decreasing or preventing substrate binding. When exposed to low temperatures enzymes are not flexible enough to permit induce fit, and in high temperatures enzymes are too weak to maintain their shape.), 3) substrate concentration (If amount of enzyme is preserved constant and substrate concentration is gradually increased, the reaction velocity will increase until it reaches a maximum. After this point increasing substrate concentration will not increase the rate of reaction), 4) allosteric inhibitors and activators (Inhibitors are substances that bind to an enzyme and decreases its activity, and they can occur in two ways; competitive inhibitors and noncompetitive inhibitors. Effec tors that enhance enzyme activity are referred to as allosteric activators, which bid to allosteric sites to keep an enzyme in its active configuration), and 4) cofactors (Many enzymes required the presence of other compounds, called cofactors, which during the catalytic activity, A cofactor can be a coenzyme, a prosthetic group or a metal ion activator (Harisha, 2006; Raven et al., 2008; Whitehurst Van Oort, 2009). Enzymes have a wide spectrum of functions in the bodies of living organisms; they are present from signal transduction to generation of muscle contraction. The also break starch molecules, forming smaller fragments of maltose, which can be easily absorbed by mammals. And it is the ability of enzymes to breakdown starch and the effect of temperature during this process that will be analyzed in the lab (Whitehurst Van Oort, 2009; Alberte et al., 2012), expecting that the results collected confirm that temperature does have an effect in bacterial and fungal amylase activity. Methods: The experiment should be performed once per group, using fungal (Apergillus oryzae) and bacterial amylase. Starch catalysis will be monitored by using Iodine test, which turns from yellow to blue-black in the presence of starch. Experimental Setup Place a paper under the spot plates and label the top side with temperature values 0,40,60,95 Ã °C, and the side with the times 0,2,4,6,8,10 min. Obtain 4 test tubes and label each with a different temperature, enzyme source, either bacterial or fungal and group number. Repeat previous step, but this time include the letter S, which stands for Starch solution. Finally add 5ml of 1.5% starch solution into each of the test tubes labeled S. Effect of temperature in amylase activity Add 1ml of amylase into each of the test tubes that do not contain starch, and place the 8 test tubes (4 containing starch and 4 containing amylase) into their respective temperatures, allowing all test tubes to equilibrate for 5 minutes. Add 2-3 drops of iodine to the first row of the spot plate corresponding to o minutes. After 5 minutes has passed and test tubes are equilibrated, transfer a few drops of starch solution from each temperature to the row where you added the iodine. Pour the starch solution into the tube containing amylase without taking it put of bath, and set the timer for two minutes. Add 2-3 drops of iodine to the second row, and after 2 minutes has passes, transfer a few drops of the starch-amylase mixture from each tube to the 2 minutes row using the pipette correspondent to each temperature. After each additional 2 min, add 2-3 drops of iodine and a few drops from starch amylase mixture. At the end of 10 min, note the temperature and the time at which 100% hydrolysis occurred. Repeat the procedure using the other amylase type, and using the color-coding scheme convert results into numerical values. Results: Temp (Ã °C) 0 40 60 95 Time (min) 0 5 5 5 5 2 4.333333 3.166667 3 5 4 4.166667 3.083333 2.833333 5 6 4 3 2.75 5 8 4 3 2.683333 5 10 3.833333 3 2.75 5 Table 1: Class Average for Bacterial Amylase activity After all groups performed the experiment, a class data for bacterial amylase was collected. The average of the data was calculated and presented in Table 1, showing color changes for each temperature. Temp (Ã °C) 0 40 60 95 Time (min) 0 5 5 5 5 2 3.333333 2.666667 3.166667 5 4 3.333333 2.666667 3.083333 5 6 3.333333 2.666667 2.833333 5 8 3.333333 2.416667 2.833333 5 10 3.333333 2.416667 2.833333 5 Table 2: Class Average data for Fungal Amylase activity After all groups performed the experiment, a class data for fungal amylase was collected. The average of the data was calculated and presented in Table 2, showing color changes for each temperature. Graph 1: Class Average for Bacterial Amylase activity Graphical Representation Results from Table 1 exposed in a graph, showing that all groups optimal temperature for Bacterial amylase is 60Ã °C Graph 2: Class Average Data for Fungal Amylase activity Graphical Representation Results from Table 2 were exposed in a graph, showing that all groups optimal temperature for Bacterial is 40Ã °C Figure 1: Color coding-scheme for starch breakdown Starch hydrolysis color coding scheme is used to determine the optimal temperature for each amylase during starch breakdown Figure 2: Bacterial amylase activity spot plate Group number 1 spot plate during bacterial amylase experiment showing the amylase reaction during each temperature Figure 3: Fungal amylase activity spot plate Group number 1 spot plate for fungal amylase experiment showing starch breakdown during each temperature Graph 3: Bacterial Amylase Activity graphical representation Bacterial amylase activity data taken from table 1 showing that optimal temperature for this kind of amylase according to group 1 is 60Ã °C Temp (Ã °C) 0 40 60 95 Color # Color # Color # Color Time (min) 0 blue/black 5 blue/black 5 blue/black 5 blue/black 2 blue/black 4 med brown 3.5 light brown 3 blue/black 4 blue/black 4 light brown 3 light brown 3 blue/black 6 med brown 3.5 light brown 3 dark yellow 2.5 blue/black 8 med brown 3.5 light brown 3 med yellow 2 blue/black 10 med brown 3.5 dark yellow 2.5 med yellow 2 blue/black Table 3: Bacterial Amylase activity Group 1 recorded color changes for each temperature during breakdown of starch by bacterial amylase, and it was represented in numerical values by using color coding scheme presented in Figure 1 Graph 4: Fungal Amylase Activity graphical representation Fungal amylase activity data taken from Table 4 showing that optimal temperature for this kind of amylase according to group 1 is 40 Ã °C Temp (Ã °C) 0 40 60 95 Color # Color # Color # Color Time (min) 0 blue/black 5 blue/black 5 blue/black 5 blue/black 2 light brown 3 dark yellow 2.5 light brown 3 blue/black 4 light brown 3 dark yellow 2.5 light brown 3 blue/black 6 light brown 3 dark yellow 2.5 light brown 3 blue/black 8 light brown 3 med yellow 2 light brown 3 blue/black 10 light brown 3 med yellow 2 light brown 3 blue/black Table 4: Fungal Amylase Activity Group 1 recorded color changes for each temperature during breakdown of starch by fungal amylase, and it was represented in numerical values by using color coding scheme presented in Figure 1 Temp (Ã °C) 0 40 60 95 Time (min) 0 0 0 0 0 2 0.408248 0.258199 0 0 4 0.258199 0.258199 0.258199 0 6 0.316228 0.316228 0.418330 0 8 0.316228 0.316228 0.376386 0 10 0.516398 0.316228 0.418330 0 Table 5: Class Average Standard Deviation for Bacterial Amylase activity From the results from Table 1, the standard deviation was taken, showing that the results collected by each group for Bacterial amylase are close to average results. Graph 5: Class Average Standard Deviation for Bacterial Amylase activity Graphical Representation Data from Table 5 was exposed in a graph, showing that the difference between the mean and the samples collected by each group is minimal. Temp (Ã °C) 0 40 60 95 Time (min) 0 0 0 0 0 2 0.408248 0.516398 0.68313 0 4 0.408248 0.408248 0.66458 0 6 0.408248 0.408248 0.68313 0 8 0.408248 0.491596 0.68313 0 10 0.408248 0.449868 0.68313 0 Table 6: Class Average Standard deviation for Fungal Amylase Activity From the results from Table 2, the standard deviation was taken, showing that the results collected by each group for Bacterial amylase are close to average results. Graph 6: Class Average Standard Deviation graphical Representation Data from Table 6 was exposed in a graph, showing that the difference between the mean and the samples collected by each group is minimal Discussion: After evaluating the results of the experiment, present in Table 1 and 2 it can be concluded that the data provides enough evidence to support the predictions or hypothesis presented in the introduction section that when temperature is not optimal for an enzyme, it will denature or reduce its functions. The results showed that low or high temperatures have an effect in the ability of enzymes to break down starch (Graph 1 and 2). By comparing the results with color coding scheme provided (Figure 1), the optimal temperatures for both amylases were able to be determined. The optimal temperature for the enzyme had a bright yellow color, which meant that the amylase was able to breakdown the starch present in the solution; when the solution remained blue-black the enzyme is said to be denature, meaning that it was not capable of breaking down the starch( Figure 2 and 3). The most important parameters taken into account to get the previous results were temperature and time. Looking at the color for the reaction between starch and amylase, by using the Iodine test, it can be concluded that for bacterial amylase, the optimal temperature is 40 Ã °C, and this occurs around the 6 minute time. Fungal amylase optimum temperature was reached at 6 minutes time and it was 60 Ã °C. All the previous result can be observed in Figure 2 and 3, as well as in Graph 1 to 5 Table 5 and 6 show that the results of the experiment are consistent for all lab groups, because the difference between the sample data collected by each individual group and the average of that data is minimal, showing that, the results collected by each group are close very close to be accurate. What parameters of the experimental design were important in the expected (or unexpected) results? The expectations for the experiment concurred with the results, because a previous understanding of enzymes was given in the lab manual, however, the optimal temperatures were not exactly known because each enzyme works best depending on its environment. For future research, the range in temperature should be more variable, not only including positive values, but negative ones. Also, if enzymes sources had more variation, it will provide a better understanding of the optimal conditions and temperature of enzymes. Literature Cited/ References: Alberte J., Pitzer T., Calero K. (2012).General Biology Lab Manual / Second Edition. Florida International University: The McGraw Hill Companies. Garcia-Viloca M., Gao J., Karplus M. Truhlar D. G.(2004). How Enzymes Work: Analysis by Modern Rate Theory and Computer stimulations. Science 303:pp. 186-195. Harisha S. (2006). Introduction to Practical Biotechnology. India: Laxmi Publications. Raven P., Johnson G. B., Mason K. A., Losos J. B., Singer S. S. (2008). Biology 8th edition. New York: The McGraw Hill Companies. Ringe D., Petsko G. A. (2008). How Enzymes Work. Science 320: pp. 1428. Whitehurst R. J., Van Oort M. (2009). Enzymes in Food Technology: Wiley-Blackwell; 2nd edition.
Sunday, January 19, 2020
Arthur Schnitzlerââ¬â¢s dream story Essay
The focal point of this paper is to discuss and evaluate Arthur Schnitzlerââ¬â¢s ââ¬ËDream Storyââ¬â¢ in the light of the inevitability of the conflict between desire and social responsibility. The source text is the translation of the original German work ââ¬ËTraumnovelleââ¬â¢ by author Arthur Schnitzler. The translation is done by J. M. Q. Davies. Arthur Schnitzler was an Austrian doctor by profession and was a noted author of his time (1862- 1931). His noted works includes Dying, Lieutenant Gustl, Berta Garlan, Blind Geronimo and his Brother, The Prophecy, Casanovaââ¬â¢s Homecoming, The Road into the Open, The Green Cockatoo, The Lonely Way, Countess Mizzi and Living Hours. Dream Story was written in 1926 and is regarded as a novella by the critics. It could be enumerated as a plot that ventures into the inner self of Doctor Fridolin and narrates the incidents from his psychological perspectives and the eventual transformation of his self. The entire episode is formulated over a relatively brief period of time spanning over a period of 48 hours. Within this short time span Arthur Schnitzler incorporates several characters that Doctor Fridolin meets and which the author imports to create a world of affairs that provides us a clue of the circumstances that are inevitable in the immediate future. This immediate future culminates into the development of a masquerade ball where the author culminates several events that are wondrous in nature with the presence of individuals in masks. There is a flurry of sex involved with the indication of danger where Doctor Fridolin finds himself to be placed as a total outsider. Everything in this episode is projected as a point of view that is seen from the perspective of Doctor Fridolin. This part appears to be presented predominantly as a metaphor of Doctor Fridolinââ¬â¢s inner self of desire and lust. This episode of masquerade ball adds to the mystery of self discovery of Doctor Fridolin. Here the self discovery of Doctor Fridolin could be enumerated as a decent into the abyss of his self image. This is also a transition of relations among people in a certain sense too where the outer world is found to be involved in the changes along with individual shift of priority of life and discovery of greater truth of nature within the parameters of social norms. This novella could also be depicted as a plethora of symbolism and imagery where a person revels himself to the audience and the inner self at the same time that is predominantly psychological in nature. Arthur Schnitzler was a friend and contemporary of the noted psychoanalyst Sigmund Freud of Vienna. However, these two men had opposite theories, if not different, on human sexuality. Arthur Schnitzler firmly believed that the course of action of human sexuality is dependent upon instinct than anything else. But despite all the differences it is evident that a heavy influence of Freud can be felt while going through the text. This is exactly what is reflected in his novella ââ¬ËDream Storyââ¬â¢. For an age of 1920ââ¬â¢s it is obvious that his views along with this work was extremely shocking as a subject and its narration as the basic conceptualization of the novella is based on the sexual fantasy of a couple and the eventual defoliation of relation due to these fantasies. On the other hand this novella could also be taken up as an account of truth, permissible or not, that is juxtaposed within the system of marriage and self individuality. The storyline zooms in the intimate conversation of the primal characters Fridolin and his wife Albertine. They are basically quite affluent and respectable in Vienna. The wife is found to be an able home maker where the central position is occupied by their daughter who is six. The conversation takes off when the little girl is put to the bed. The subject of the conversation is about the masquerade ball that they attended. Initially the dialogues were kept into the parameters of the adventures of Fridolin and his wife Albertine in the mask ball. Soon, the conversation developed into the stage where they revealed to each other that if there was enough chances and coincidences along with favorable situations both of them would have been unfaithful to each other. For the man it was a fifteen year old girl and for the wife it was man with a yellow suitcase. Both of them wanted to take revenge on the other and before the dialogue was able to unfold into greater adversaries they were interrupted by an emergency call from a patient. The doctor had to leave. From this point the novella turns into an intermingled atmosphere of mystery, fantasy and fairy tale mode. Doctor Fridolin is approached by numerous women for sexual pleasure or otherwise and Doctor Fridolin passes from one woman to another and ultimately ending up into the midst of a masquerade ball where the password appeared to be ââ¬Å"Denmarkâ⬠and as his friend told him there would be lots of naked women. But there is problem with this secret society. If one is identified as an outsider there is sure to be trouble. Doctor Fridolin is soon traced out as an outsider but is saved by a mystery woman. Now the paradox of social responsibilities and desire completes a full circle as the author indicates indirectly the identity of this mystery woman. This is because there is every chance that this woman is Albertine, but with no specific proof for Doctor Fridolin. Thus the social responsibility of a wife towards her man is completed successfully by the mystery woman if the woman is indeed his wife. Now if the mystery woman is really his wife Doctor Fridolin has every reason to be cheated as she appeared in the orgy. But at the same time Doctor Fridolin himself had every intention to join the orgy. Thus the paradox continues. Either it is desire that is to be forecasted and relished by an individual or it is important to engage into the human spirit of social interest? The answer appears to be cleared by the author himself in a way, though not in a very vivid manner, as he puts the social relation between a man and a woman hanging without ramifying the norms of the society by a large extent. Doctor Fridolin is saved by Albertine and that seems to be the bottom line of the story where the man understands the value of social bondage after an outrageous adventure of inner self. Reference Schnitzler, Arthur; Dream Story; translated by J. M. Q. Davies; Penguin Books; 2005.
Saturday, January 11, 2020
Case enron Essay
Enron faces most of the risk ordinarily faced by any energy company, including price instability and foreign currency risks. Enron operated in many different areas of the world with different regulatory and political risks. Enron faced business risks such as a complex business model, extensive use of derivatives and special purpose entities, aggressive transaction structuring and accounting, rapid expansion of business through complex and unconventional ventures, extensive reliance on credit rating, and limitations in GAAP. The complex nature of the business model of Enron increased the likelihood of material misstatements. It enabled the management to overstate its revenue while not disclosing the actual value of its debt. The risk of fraud by management was high. The transactions involving SPEââ¬â¢s essentially involved Enron receiving borrowed funds that were shown as revenue without recording liabilities. Also, the amount of misstatements was huge as Enron had hundreds of such SPEââ¬â¢s. Complex financial derivative transactions were used to hide enormous amounts of debt. Huge increases in borrowing were made to look like hedges for commodity trades rather than new debt financing. The network of SPEââ¬â¢s along with complicated speculations and hedges kept an enormous amount of debt off the balance sheet. The accounting standards were inadequate in providing for the proper accounting of these transactions. The loopholes in the standards were used to structure transactions in such a way that hundreds of SPEââ¬â¢s were excluded from consolidation. Also, the management took advantage of the complexity of accounting standards to shroud the actual economic substance of the transactions. Adequate disclosures with regard to related party involvement and securing outside SPE investors against possible losses were not made.
Friday, January 3, 2020
Life and Work of Herbert Spencer
Herbert Spencer was a British philosopher and sociologist who was intellectually active during the Victorian period. He was known for his contributions to evolutionary theory and for applying it outside of biology, to the fields of philosophy, psychology, and within sociology. In this work, he coined the term survival of the fittest.à In addition, he helped develop the functionalist perspective, one of the major theoretical frameworks in sociology. Early Life and Education Herbert Spencer was born in Derby, England on April 27, 1820. His father, William George Spencer, was a rebel of the times and cultivated in Herbert an anti-authoritarian attitude. George, as his father was known, was the founder of a school that used unconventional teaching methods and was a contemporary of Erasmus Darwin, grandfather of Charles. George focused Herberts early education on science, and simultaneously, he was introduced to philosophical thinking through Georges membership in the Derby Philosophical Society. His uncle, Thomas Spencer, contributed to Herberts education by instructing him in mathematics, physics, Latin, and free-trade and libertarian political thinking. During the 1830s Spencer worked as a civil engineer while the railways were being constructed throughout Britain, but also spent time writing in radical local journals. Career and Later Life Spencers career became focused on intellectual matters in 1848à when he became an editor forà The Economist, the now widely-read weekly magazine that was first published in England in 1843. While working for the magazine through 1853, Spencer also wrote his first book,à Social Statics, and published it in 1851. Titled for a concept of August Comte, in this work, Spencer used Lamarcks ideas about evolution and applied them to society, suggesting that people adapt to the social conditions of their lives. Because of this, he argued, social order would follow, and so the rule of a political state would be unnecessary. The book was considered a work of libertarian political philosophy, but also, is what makes Spencer a founding thinker of the functionalist perspective within sociology. Spencers second book,à Principles of Psychology, was published in 1855 and made the argument that natural laws govern the human mind. At about this time, Spencer began to experience significant mental health problems that limited his ability to work, interact with others, and function in society. Despite this, he began work on a major undertaking, which culminated in the nine-volumeà A System of Synthetic Philosophy. In this work, Spencer elaborated on how the principle of evolution had been applied within not only biology, but in psychology, sociology, and in the study of morality. Overall, this work suggestsà that societies are organisms that progress through a process of evolution similar to that experienced by living species, a concept known to as social Darwinism. In the latter period of his life, Spencer was regarded as the greatest living philosopher of the time. He was able to live off of income from the sale of his books and other writing, and his works were translated into many languages and read all over the world. However, his life took a dark turn in the 1880s, when he switched positions on many of his well-known libertarian political views. Readers lost interest in his new work and Spencer found himself lonely as many of his contemporaries died. In 1902, Spencer received a nomination for the Nobel Prize for literature, but did not win it, and died in 1903 at the age of 83 years old. He was cremated and his ashes interred opposite the grave of Karl Marx in Highgate Cemetery in London. Major Publications Social Statics: The Conditions Essential to Human Happiness (1850)Education (1854)The Principles of Psychology (1855)The Principles of Sociology (1876-1896)The Data of Ethics (1884)The Man Versus the State (1884) Updated by Nicki Lisa Cole, Ph.D.
Wednesday, December 25, 2019
The Birth Mark Is Considered By The Best Stories Of...
Nathaniel Hawthorneââ¬â¢s The Birth-Mark is considered to be one of the best stories of American history, which shows the gender roles in the society and the inequality that women have to deal with on a day-to-day basis because of the limitations set on them by the society. The main focus of the story is the relationship between Aylmer, a scientist who is well known across Europe for his achievements in the field, and his wife Georgina. Aylmer considered Georgina to be perfect in every single perspective when they met. He thought he was so lucky to have her as wife. It shows how little important people placed the behavior of an individual and shows the high level of importance that placed women in the society at the time (Lupri, 47). Unfortunately, this is a trend that has continued even today where there is such a high value placed on the need for physical perfection among women leading women to go to such extreme measures to achieve this perfection. The book was written at the time when women were viewed to be lower than men. The main role of a woman in the society at that time was to cater to the needs of her husband, take care of their home and children. The man was considered as the head of the household, and he made all the decisions concerning what he expected to do at home and how he expected his wife to conduct herself, look, and behave. Through her life, Georgina had always felt pretty special because of the birthmark that she had. Even when her husband mentionsShow MoreRelatedThe Puritan Effect1703 Words à |à 7 PagesNathaniel Hawthorne is respected as ââ¬Å"one of the great masters of American Fictionâ⬠(ââ¬Å"Hawthorne, Nathanielâ⬠363). He is an accomplished author who wrote novels as well as childrenââ¬â¢s literature. However, Hawthorneââ¬â¢s strength is American short story; his ââ¬Å"hauntingâ⬠tales are undeniably responsible for establishing this genre as a ââ¬Å"significant art formà ¢â¬ (ââ¬Å"Nathaniel Hawthorneâ⬠Columbia 1). He is known for his ââ¬Å"penetrating explorationsâ⬠of the conflicts within oneââ¬â¢s conscience and the consequences thatRead MoreAndrew Jackson : Conqueror Of Florida1489 Words à |à 6 Pagesnineteenth century where an American general took siege of Florida, a Spanish territory by then. Andrew Jackson was the man whose mission was to seize Florida in the year 1818 after agitations from the various attacks that were carried out by the Seminoles to the American people, the latest being the Fort Scott attack on November 21, 1817. These events and the siege is tackled in the film documentary ââ¬Å"Andrew Jackson: Conqueror of Floridaâ⬠produced by Margaret Haddad in 2003. 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Elwyn Brooks White was born on July 11, 1899. As a child, White did not enjoy school much. He preferred to be outside like any other young boy (Meet E. B. White, 6). When he grew older, he attended CornellRead MoreThe Rise and Fall of the American Teenager Essay1442 Words à |à 6 PagesProfessor Tracy Davis History 118 2 November 2012 Book Review # 2 The Rise and Fall of the American Teenager Teenagers are more than capable of achieving great tasks in the future as well as causing great destruction with every skill stapled in their mind as they grow. Good and evil will determine the effects of which path a young mind its taught so thatââ¬â¢s why parents must educated well with good intensions for a better future. The age of a teenager shows history how it transformed theRead MoreJohn C. 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To be considered an effective activist, the individual would need to influence a transformation in the world, causing a change and reshaping a perception. Rachel Carson, best known as the author of Silent Spring, is said to be one of the most influential women in environmental history, according to her fellow authors and conservationists. Carson has been recognized worldwide in history and science books for her campaign against DDT, her work asRead MoreE ssay about Sports Born in the Victorian Era1460 Words à |à 6 Pagesand the Celtic Tailteann Games date back to around the ninth century BCE. These games played host to the best athletes throughout the world, who competed in running, jumping, and throwing events in addition to wrestling, archery, and the greeks had swimming.. Professional track and field had no regulation, with many athletes making a living by their skill and talent. There are multiple stories of sprinters who would travel from town to town in disguise, pretending that they had no talent in racing
Tuesday, December 17, 2019
Analysis Of The Epic Of Gilgamesh Essay - 1361 Words
INSERT TITLE HERE As readers delve into the depths of The Epic of Gilgamesh, they perceive the allure to dreams which has captivated humanity for centuries. The epic poem uses dreams as a symbolic representation of the human mind and its ceaseless bounds. Given the Mesopotamian cultureââ¬â¢s importance in regards to their religion, dreams provide the only means of one connecting with their future and deities. Furthermore, each mental fantasy referenced within the epic delineates the rationale of all beings to act within their self-interest, a means of thinking that serves as the basis for all thoughts and feelings. All in all, The Epic of Gilgamesh portrays how the added dimension of dreams provides insight not only into ancient culture but into the nature of mankind as well. Through the course of the aforementioned poem, characters use said visions to foretell their future and gain a deeper insight into the state of their gods. For instance amidst his journey to battle Humbaba, G ilgamesh experience five dreams which provide him a potential glimpse into the future. This can be seen as Gilgamesh claims ââ¬Å"ââ¬Å"My friend, I had a dream: how ominous it was, how desolate, how unclear! I had taken me hold of a bull from the wild: as it clove the ground with its bellows, the clouds of dust it raised thrust deep in the sky and I, in front of it, leaned myself forward[...]â⬠â⬠(Tablet IV) The beginning of the quote depicts the fascination that Gilgamesh has with this vision as he is trying toShow MoreRelatedThe Epic Of Gilgamesh And Analysis1436 Words à |à 6 Pages The Epic of Gilgamesh ââ¬âSummary and analysis Introduction The Epic of Gilgamesh is an excerpt of the original text of the Epic listed in the Sources of the Western Tradition, 5th edition, by Perry, Peden and Von Laue (2003). The Epic of Gilgamesh is the story of King Gilgamesh who is the powerful king of Uruk, the incidents in his life, the associations he makes, the encounters he has, and the transition that occurs in his life in relation to his gainingRead MoreAnalysis Of The Epic Of Gilgamesh 1647 Words à |à 7 PagesThe Epic of Gilgamesh is a story of heroes fighting a war not in a battlefield but within their own selves and amongst each other, struggling with their own emotions and attributions to attain the best version of themselves and to fulfill the utmost quest of life. With the use of two very different yet so similar characters: Enkidu and Gilgamesh, the epic explains two aspects of same psyche, and different imageries, one of which is door, have been used in the text to explain interactions betweenRead MoreAnalysis of the Ep ic of Gilgamesh Essay1122 Words à |à 5 PagesAnalysis of the Epic of Gilgamesh The epic of Gilgamesh is the earliest primary document discovered in human history dating back to approximately 2,000 B.C.E. This document tells a story of an ancient King Gilgamesh, ruler of Sumer in 2,700 B.C.E. who is created gloriously by gods as one third man and two third god. In this epic, Gilgamesh begins his kingship as an audacious and immature ruler. Exhausted from complaints, the gods send a wild man named Enkidu to become civilized and assist GilgameshRead MoreEpic Of Gilgamesh Literary Analysis1837 Words à |à 8 Pagesmortality, divinity, punishments are told through stories of individuals and societies. The Epic of Gilgamesh is a Mesopotamian book that was written long before the Bible. A comparison of the literary elements show several similarities that lead many religious and cultural scholars, as well as historians to contend that the accounts in the Old Testaments were derived from the Gilgamesh. The Epic of Gilgamesh and Bible were both written as sources o f moral messages for religious practices and guidesRead MoreAnalysis Of The Epic Of Gilgamesh 1311 Words à |à 6 PagesThe Epic of Gilgamesh is a very popular epic that is difficult to understand at first, which is why there is different translations of the same book. Although Foster and Sanderââ¬â¢s translations have a lot of similar words and the stories are basically the same, there are also a lot of differences between the two. One of which is more straightforward and easier to understand, whereas the other is more of an in depth thoughtful read for the reader. Both translations differences have their own particularRead MoreAnalysis Of The Epic Of Gilgamesh 1449 Words à |à 6 Pagesbeginning in The Epic of Gilgamesh, Gilgamesh is a bully king who frightens and annoys the people of Uruk. After the gathering with Enkidu and becoming his friend does Gilgamesh transform, into a hero worthy of history. The brotherly or ââ¬Å"bromanticâ⬠( considering the questionable r elationship they have) love the two have for each other helps Gilgamesh become an better leader to his people by permitting him to better understand and identify with them. Even though the myth of Gilgamesh is very ancientRead MoreAnalysis Of The Epic Of Gilgamesh 979 Words à |à 4 PagesThe Epic of Gilgamesh tells the legend of King Gilgamesh of Uruk and his adventures with the feral human Enkidu. At the beginning Gilgamesh shares a lot of similarities to Egyptian Pharaohs. Heââ¬â¢s worshiped by his people in a way thatââ¬â¢s almost pious and holds himself up with a certain arrogance. The only difference with Gilgamesh is he is one part deity and two parts human. Over the coarse of the Epic we see Gilgameshââ¬â¢s demeanor change to a more humble one. This change can be attributed to the trialsRead MoreAnalysis Of The Epic Of Gilgamesh 738 Words à |à 3 PagesBaily Broussard Mr. Guidry World History 4 December 2015 The Epic of Gilgamesh In The Epic of Gilgamesh, Gilgamesh terrorizes the people or Uruk. Because of this, they call out to the sky god Anu for help. Anu decides to turn to the goddess of creation, Aruru whom makes an equal for Gilgamesh. Aruru created Enkidu to be just like Gilgamesh and for them to contend together and leave Uruk in quiet. When Gilgamesh got up and went to the house of a bride waiting for the bridegroom, Enkidu stepped outRead MoreAnalysis Of The Epic Of Gilgamesh 1284 Words à |à 6 PagesPerhaps one of the earliest pieces of literature, The Epic of Gilgamesh is a tale about a Mesopotamian king named Gilgamesh who crudely dominates the natural world surrounding his gleaming society. Juxtaposing Gilgameshââ¬â¢s godlike stature, Enkidu is a wild beast used to counterbalance the king in a literary sense. The hierarchical dichotomy expressed in the epic has appeared thematically within numerous mediums, including the revered artwork of Jean-Michel Basquiat. Raised in the Lower East Sid e (LES)Read MoreAnalysis Of The Epic Of Gilgamesh 1119 Words à |à 5 PagesTranslation Comparison Gilgamesh The Epic of Gilgamesh has been read and reviewed/ critiqued by numerous authors. I took the articlesââ¬â¢ ââ¬ËAngiology in the Epic of Gilgameshââ¬â¢ by Th. Jacobson, and compared it to Benjamin Fosters ââ¬ËA New edition of the Epic of Gilgameshââ¬â¢ These two articles both critique the writings of The Epic of Gilgamesh but in different ways. Fosterââ¬â¢s article is a critique on a critique that has been written about The Epic of Gilgamesh, where as Jacobson critiques the epic itself, so we are
Monday, December 9, 2019
Decorative Hierarchies Waei. Painting Essay Example For Students
Decorative Hierarchies: Waei. Painting Essay The identification of possible hierarchies in wall painting is rather more speculative, as wall plaster tends to survive in poor condition, if at all. The houses on Delos were built in stone, and the walls are often preserved to a considerable height with the plaster still attached. However, the excavatorsââ¬â¢ reconstructions above frieze level usually rely to an unknown extent on comparisons with Campanian First Style paintings; but as there are significant differences between the Masonry Style and the First Style in the treatment of the lower part of the wall, it is by no means certain that the upper zones were similar. The picture is further complicated by fallen fragments of paintings from upstairs rooms. Regional differences even within the Masonry Style mean that conclusions based on the Delian materia) may not be directly applicable to other sites. With these provisos in mind. 1 would suggest the follow ing broad framework for reading the wall decoration of the Delian hous es.K In the Masonry Style the wall is divided into rectangular panels, imitating either monumental ashlar masonry, or luxurious panelling in coloured stone veneers; in either case, the intention is presumably to allude to the prestigious interiors of public buildings.9 The standard scheme on Delos (FIG. 5) consists of a low continuous plinth, 20-40 cm high, above which is a row of tall orthostats, 80 120 cm high, surmounted by a frieze; above the frieze are several courses of blocks, each prrhaps 40-50 cm high, and crowning the whole is a cornice, with a fiat zone above. In its most basic form, this scheme is marked out 011 a flat, while plaster surface by incised or painted lines, occasionally with the frieze picked out in red paint. However, it could be elaborated in several ways to express distinctions between rooms and areas of the house. These distinctions seem to depend on a combination of four factors: the extent of relief moulding; the number of frieze bands; the colours and motifs used; and the addition of monumental architectural forms in stucco relief. No doubt, as in the case of mosaics, the distinction was ultimately one of cost. Firstly, relief decoration might à applied to the whole wall, or only part of it. If only one zone was moulded in relief, it was usually the frieze; if two, the frieze and the orthostats, which acquired bevelled edges round the blocks; in more elaborate examples the isodomic courses above the frieze might receive the same treatment. The cornice also usually projects beyond the rest of the wall, but the zone ab ove is always left flat, as is the plinth. Secondly, extra bands could be added to the frieze, up to a maximum of four (FIG. 6). In its simplest and commonest form, the frieze consists of a single continuous band. 15 30 cm high; in relief schemes it projects from the wall, with a moulding at top and bottom (A); the upper moulding is usually a quarter-round, and the lower an ovolo or sloping fillet. Sometimes the main band is a string-course of bevelied-edge blocks (C) instead of a continuous strip. I. p to three further bands may be added: the second is most frequently a narrower continuous band below the main band and about half its width (B), or sometimes a string-course of narrow bcvclled-edge blocks (C), perhaps with a kymation moulding at top and bottom; some schemes have both of these (as in FIG. 6), and very occasionally a fourth band is added at top or bottom, usually another continuous strip. The mouldings at the transitions between the bands are painted with standard motifs derived from stone architecture: the quarter-round at the top is usually decorated with a three-strand or double guilloche, or o ccasionally interlocking scales, the lower moulding with an egg and dart, and the kymatia framing a string-course with a leaf and dart motif; a row of dentils may mark the transition from frieze to orthostats. .u3c33b58211adf617053cf4ed8c008451 , .u3c33b58211adf617053cf4ed8c008451 .postImageUrl , .u3c33b58211adf617053cf4ed8c008451 .centered-text-area { min-height: 80px; position: relative; } .u3c33b58211adf617053cf4ed8c008451 , .u3c33b58211adf617053cf4ed8c008451:hover , .u3c33b58211adf617053cf4ed8c008451:visited , .u3c33b58211adf617053cf4ed8c008451:active { border:0!important; } .u3c33b58211adf617053cf4ed8c008451 .clearfix:after { content: ""; display: table; clear: both; } .u3c33b58211adf617053cf4ed8c008451 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u3c33b58211adf617053cf4ed8c008451:active , .u3c33b58211adf617053cf4ed8c008451:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u3c33b58211adf617053cf4ed8c008451 .centered-text-area { width: 100%; position: relative ; } .u3c33b58211adf617053cf4ed8c008451 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u3c33b58211adf617053cf4ed8c008451 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u3c33b58211adf617053cf4ed8c008451 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u3c33b58211adf617053cf4ed8c008451:hover .ctaButton { background-color: #34495E!important; } .u3c33b58211adf617053cf4ed8c008451 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u3c33b58211adf617053cf4ed8c008451 .u3c33b58211adf617053cf4ed8c008451-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u3c33b58211adf617053cf4ed8c008451:after { content: ""; display: block; clear: both; } READ: Bamboo Crafts of North-east India EssayThirdly, extra colours and decorative motifs could be introduced in addition to the basic white. The range of colours in the Delian paintings is limited: white is by far the commonest, followed by red, black, yellow, and, in much smaller quantities, green and blue. It is probably reasonable to assume that this reflects the relative c ost of the pigments, especially as the rarerà colours tend to occur most often in the prestigious (and relatively narrow frieze zone.10 Certain colours seem to have been considered especially suitable for particular zones of the wall. The plinth is most frequently red. The orthostats arc often black, s ometimes with coloured edges, but it is unusual to find large expanses of black above this zone. The continuous frieze or the blocks, of a string-course arc often red, sometimes yellow, and occasionally green or alternately green and yellow; green is very rarely found in any other zone. The courses of blocks above the frieze are usually white or red, occasionally yellow, and sometimes have contrasting coloured edges. The cornice is white, and the zone above light blue; blue is otherwise found only in niches and for the background in decorated friezes. As a more elaborate alternative to solid blocks of colour, some parts of the w-all may be painted in imitation of veined or flecked marble, which must have added an exotic and luxurious air. It was no doubt more labour-intensive and thus more expensive, and accordingly it tends to appear most often in the frieze zone, where only a relatively small area needed to be covered; it is unusual, and presumably particularly luxurious, for the large expanse of the orthostats to k marbled, and only a very few decorations have more than one zone of marbling; it rarely appears higher than the frieze. The frieze, being roughly at eye level, is the focus of the decoration, and is the only zone whic h offers scope for any kind of decoration beyond the imitation of stonework. It is therefore the most significant area in which distinctions of status could he expressed. Simple monochrome hands and alternating coloured panels are the most common frieze decorations, followed by imitation marbling. Where there is a narrow secondary hand (B), it is almost invariably decorated with a painted swastika meander and boxes, often shown in perspective. Vegetal and figured decoration is much more unusual: the most common type is a garland of leaves and fruit entwined with coloured ribbons: less common are imaginary plant scrolls, which may he peopled with tiny Erotcs. Friezes of figures are rare, and most consist of repetitive motifs, such as Nikai driving chariots: a very- few examples depict battles or a series of scenes from mythology or drama. I would suggest that this order reflects the relat ive prestige of the motifs. Their rarity seems to coincide with their complexity and degree of indiv idualization: the more stereotyped friezes, of garlands, plants or repeated figures, are commoner than those consisting of individual scenes, which must have required more planning and skill, and were presumably more expensive. A few exceptionally lavish decorations had both a figured and a floral band. Finally, the prestige of a room could lie enhanced by the addition of architectural details in stucco relief. These are rare, and are usually confined to the upper part of the walls, probably for practical reasons, as they must have been rather fragile. The most common elaboration was to replace the cornice moulding with a full entablature, usually Doric; the metopes might be decorated with rosettes or heads in relief, or occasionally painted with figures. In a few cases, the entablature was supported hv stucco pilasters resting on a small cornice about two- thirds of the way up the wall (FIG. 15). There might also be niches in the walls, framed by small stucco columns and topped by an entablature or pediment. Such decoration must have been prized not only because of the obvious expense of creating it, hut also because it evoked prestigious associations with monumental public architecture. These four elements could be varied in an infinite numlier of combinations, allowing the decoration of each room to be precisely adapted to its function or relative importance. Wall painting had become much more elaborate since the Classical period: at Olynthos, for example, most of the wall plaster is flat and monochrome, with divisions indicated in paint or incision: relief decoration is very unusual, and only one house yielded a decorated frieze. By the second century, the flat decoration which was usual at Olynthos was found only in rooms of secondary importance; there had clearly been a process of inflation at work, which had the effect of widening the range of available possibilities, and hence the range of distinctions that could Ik expressed in the decoration.
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